Archives for category: novel series

It’s written against the times. Against the easy, easy times.

It moves slowly, it’s like the land beneath our feet, the ground itself.

It’s not going to go away, it accumulates gradually, like mountains.

It’s not about destinations, it’s not about journeys. It’s greater than that, and more humble. It’s not about conquest, not about mastery; it’s not about moments, or years; it’s not about you.

It’s not straightforward, but, importantly, it’s not facile. It’s not about the end. There are no maps to it, and it possesses no exterior. It isn’t an object. It isn’t a riddle. It isn’t about winning, or losing. It isn’t about knowing, or finding, or being lost.

It will change you, certainly – but then, what doesn’t change you?

It’s like anything you take up and put down: it returns to itself, and waits.

It’s banal, and modest: a sprinkling of salt on a few green leaves, the light of the setting sun on a line of plane trees in early summer – the shadows your fingers make as you turn a page, the landscape passing as you sleep on a suburban train…

It’s simple, and it waits, serene and alien as a deserted lake: it’s now, it’s here, it’s gone…

It’s Dustless.

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Where may I find immortal moments?

Dustless | Volume 10 | Mask [ii]

01     •     02     •     2017

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So the boy slept. He woke again, and I will tell you of that in a moment. But let him sleep for a while now. He deserves a little peace, doesn’t he?

It will be obvious to you, I imagine, that I have some affection for the boy. I have followed him closely through this story, never letting him out of my sight for very long.

It will not always be like this. There are too many voices, and too many stories.

We are not set up to listen to one story alone, however much we may want to. But equally, we are not set up to hear every story.

We must choose, for the most part, which stories we attend to, and which stories we tell.

Only the damned, perhaps, have no choice in this matter.

And yet, as we turn away from this story, and listen to that – as we grow deaf to this story, and attentive to that – isn’t there a kind of betrayal going on?

I think so.

Only, even now, I am not sure who is betrayed.

Well, well – never mind. We are not set up for too many stories. Let us concentrate on the one in hand.

For after all, only a man of flames can live in a house of fire. Only a child can live in the house of children.

Listen, and I’ll tell you about it.

Excerpt from Fire House, Volume 6 of Dustless

•DUSTLESS-FIN6


Re-post | Original post December 2014

Between two peaks, the night sky rests;
between two lovers, silence.

I sing a sad song.

Between two seasons, a wind blows;
between autumn and summer.

I sing a sad song.

Between two banks, a river flows;
between two lovers, silence.

I sing a sad song.

Between a bell’s chimes, no bell sounds;
between silences, tolls a bell.

I sing a sad song.

Between two moments, midnight comes;
between two lovers, silence.


 

Excerpt from Dustless | Volume 20 [in preparation],
The Lover in the Snow [v]

Please explore…

Dustless | Volume 1

Dustless | Volume 1 is approximately 20 pp./a5

status | published 11 02 2013

Amazon Kindle Store:
India | Dustless | Volume 1
UK | Dustless | Volume 1
US | Dustless | Volume 1

ASIN (Amazon Standard Identification Number) | B00BEZL4ZU

 

Here we sit, the mirror, my shilka doll and me.
It is still early: the moon, hardly risen, has a long way to go.

What great light upon the lake. What cheerful company.
Yet we are quiet, the mirror, my shilka doll and me.

I wonder, who will be the first to speak?

ooo


Excerpt from Dustless | Volume 20 [in preparation],
The Lover in the Snow [v]

Please explore…

Dustless | Volume 1

Dustless | Volume 1 is approximately 20 pp./a5

status | published 11 02 2013

Amazon Kindle Store:
India | Dustless | Volume 1
UK | Dustless | Volume 1
US | Dustless | Volume 1

ASIN (Amazon Standard Identification Number) | B00BEZL4ZU

We walked by the SilOso
on the fire side of the city
among the market crowds
near the Bridge of Dreams.

It was cold, and the first snow fell
among our footsteps.
Winter snow falling, and footsteps falling
slowly, by the Bridge of Dreams.

Thoughts, and the memories of thoughts.
Boats, and the reflections of boats –
the empty boats, tied up beside
the SilOso, rocking in a gentle breeze.

What is the fall of snowflakes?
We parted, as winter came.
You went to your home
across the Bridge of Dreams.

Your home, on the side of ice.
My home, on the side of fire.
And the snowflakes of winter falling,
and footsteps, in between.


Excerpt from Dustless | Volume 26 Master Darkness [vi]

Be Dustless | Master darkness…

Dustless | Volume 9

Imagine what it’s like to be Zysoshin, a small boy torn away from his father and sister – the only people he had ever known. Taken by a strange warrior lord from the outskirts of an empire where no soul had passed before. Discover why he is feared by this lord, and explore a vast empire that Zysoshin never knew existed. Journey with him to the heart of the empire and learn, as Zysoshin learns, of an even greater power that exists within the endless Still Building of the mind.

Imagine / Taken / Discover / Journey

Dustless | Volume 1

Dustless Volume 1 | US
Dustless Volume 1 | UK

And then came one of those moments – increasingly rare, it seemed to Zy – but astonishing when they occurred: a moment when Akzasosan appeared to slip out of the limits of himself, and rise up, unpredictably, towards an entirely different kind of life.

The Lord began to sing.

From the Emperors of Steel to Moin III,
one thing has kept this world pure,
and forged together sky and sea,
made to shine, made to endure:
in the sounds of hammers and the ring of swords,
in the chains of blood and in all our words,
from Moin III to the Emperors of Steel
one thing has bound us, wheel to wheel:
that thing is metal.

Metal daughter, metal son,
we are the Metallic ones:
metal son and metal daughter,
calm in peace, calm in slaughter,
cool, fluent, indestructible,
through our veins runs purest metal,
and – oh, my noble daughter,
oh, my faithful son,
therefore, we are the Metallic ones.

Well, the world it turns and the world it burns,
but always, the world must learn
who alone will rule beneath this lonely sun –
we will, the Metallic ones.

Sleep then, Baby, right through the night
like soft silver, glowing, bright,
sleep my Babe hard and sweet
until Evening and Morning stars meet:
sleep like a metal beyond all dust,
sleep like a metal, through all rust
pass, pure and straight,
through the dawn’s defenceless gates:
and when you rise, rise like a sun,
always a Metallic one.

Fall, my sweet, as light on a lake,
fall, my dear, like white snowflakes:
and when you wake, wake first, wake quick –
for you are my child,
and you, my child,
are Metallic.

Metallic.

Metallic…

The Lord’s singing voice was lighter and higher than his speaking voice: he raised it. The wind had died down, and his voice went up through the cold calmness that had descended on the Sea of Trees.

From the first moment and the first word, Zy felt intensified, alerted, almost painfully so: he stopped breathing. How strange it is, he thought, the difference between the voice that speaks and the same voice entering into song. There is a kind of leap. With the transition from his wry, rather drab speech of the past few minutes to the haunting, twilit melody of the song, the Lord appeared to jump from being one kind of person to another – he seemed expanded, loosened, set free.

And the song itself – was it a kind of lullaby? – had something magical twisted into it, a profound power that instantly called to Zy, and emphasised its own difference from the conditions of normal speech. This was no jahzig song: it had its own beauty, but it was not that of the sunburnt, drought-dazed, aching, empty horizons of peasant melodies – there was a frightening coolness to Akzasosan’s song, its refusal to be quite one thing or another. Its rhythm was irregular, its structure asymmetric. It refused its own order, disdained its own laws. It was warm, and tender, but it was icy, and detached as well. It was gentle, but it was violent. It was a lullaby, but it was a call to arms. And there, out on the wild track running through Ahamuji Forest, when Akzasosan sang into the freezing winter air, it was like lifting a lantern up, and showing it to the world.

Excerpt from Mask [ii], Volume 10 of Dustless


Re-post, with additional text | Original post, April 2015

So the boy slept. He woke again, and I will tell you of that in a moment. But let him sleep for a while now. He deserves a little peace, doesn’t he?

It will be obvious to you, I imagine, that I have some affection for the boy. I have followed him closely through this story, never letting him out of my sight for very long.

It will not always be like this. There are too many voices, and too many stories.

We are not set up to listen to one story alone, however much we may want to. But equally, we are not set up to hear every story.

We must choose, for the most part, which stories we attend to, and which stories we tell.

Only the damned, perhaps, have no choice in this matter.

And yet, as we turn away from this story, and listen to that – as we grow deaf to this story, and attentive to that – isn’t there a kind of betrayal going on?

I think so.

Only, even now, I am not sure who is betrayed.

Well, well – never mind. We are not set up for too many stories. Let us concentrate on the one in hand.

For after all, only a man of flames can live in a house of fire. Only a child can live in the house of children.

Listen, and I’ll tell you about it.

Excerpt from Fire House, Volume 6 of Dustless

•DUSTLESS-FIN6


Re-post | Original post December 2014

There was a soothing, very familiar atmosphere of sound and movement as they rode. The padding of the horses’ hooves on the snowstruck ground; an occasional clink of gear; the soft, heavy wrapped-up noises the riders themselves made as they changed position; even Akzasosan’s cough, painful as it sometimes sounded: all of these intimate, close-hung noises, belonging to the riders, were intensified in their intimacy a thousandfold by the sense of the surrounding emptiness of the great forest of the MerZirvora. The riders carried their sounds with them as a firefly carries its light, and in the immense, passive wilderness, the act of riding impressed Zy as being at once reassuringly humdrum, and yet also weird, spectacular – the small scale of people on this wild earth made their feelings at once very unimportant, and yet also precious, somehow, and essential.


Excerpt from Dustless, Volume 10, Mask [ii]